Meetup Berlin

lovely resource from berlin – including nice short portraits of various artists and collaborators

Meetup Berlin

Meetup is a new and growing community of female artists in the fields of music and arts in Berlin. We meet every second week of the month to discuss and exchange ideas, develop projects and combine forces to make things happen. Meetup provides an opportunity to meet likeminded individuals for collaborating on projects.

::: Discussion and Learning :::
Discussion and learning are encouraged. It is our goal to present and cover topics of interest to music and art, including but not limited to research, journalism, production, promotion, organization etc. We want to share knowledge in a relaxed open-minded environment.

::: Participation :::
We provide a platform for women to practice djing and vjing. Female artists, whether aspiring or professional, are welcome to participate by performing, djing, vjing – bringing and sharing their own works or music by other artists and by proposing ideas for projects and discussions.

::: Diversity :::

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16th Nov. Heroines Of Sound x MEETUP

Meetup Berlin

⚠️ Location as usual, in our beloved place in Kreuzberg. Please PM for details!  ⚠️14876557_1758566391062300_2696975896632999871_o

On the occasion of the 3rd Heroines of Sound Festival 8 -10 December at HAU, Berlin Heroines Editions presents female electronic music, film and discussions.
A range of events dedicated to past and future artists related to the Heroines of Sound Festival.

In this Heroines of Sound in cooperation with MEETUP we will show a documentation film about the last festival, followed by audio visual performances.

film premiere: documentation of Heroins of Sound Festival 2015
director: Susanne Elgeti
discussion with Mo Loschelder and Bettina Wackernagel (curators of Heroines of Sound Festival)

A/V performances:
hiT͟Hərˈto͞o + AiKia / Live A/V

Strip Down & Lunar Safari / Live A/V


Jukebox Utopia

Mo Chan

Wednesday, 16th November 2016, from 7pm
at a Hall, Berlin Kreuzberg, please PM!

Heroines of Sound wird gefördert durch den Regierenden…

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GRID: Gender Research in Darmstadt A think tank on diversity and gender equality issues taking place over the course of the Darmstädter Ferienkurse by initiative of Ashley Fure in collaboration wit…

Source: About

Pledge for Parity

International Women’s Day is Tuesday, March 8th, 2016. The day’s purpose is to “celebrate the social, economic, cultural and political achievement of women.” This year’s theme is: Pledge for Parity. Professional dance music DJs today are internationally known entities, touring the world and benefitting from what’s become a globally recognized culture. Yet the industry surrounding it is far from being equitable for women.

To accelerate parity from within, turn(the)tables on, a non-profit using dance music to fight problems of inequity and injustice, is suggesting DJs and producers make a pledge for International Women’s Day and beyond to challenge conscious and unconscious bias and create a more inclusive, flexible culture. How? Through the creation of charts on sites like Beatport, Traxsource, Juno, Resident Advisor, and wherever else they may already be active, on March 8th dedicated to the special day, with the intention of turning the tables on gender gaps in dance music by featuring the work of female producers and musicians. In doing so, we hope to raise awareness about the current inequity the industry faces, gage where we’re at collectively, point people towards the various female groups already doing great work in this arena, and increase the visibility of female DJs and producers.

Why is this problem so important? female:pressure, an international network of female artists in the fields of electronic music and digital arts, surveyed the industry in 2013 and provided an overview of its state. The percentages of female artists featured on festival lineups, club billings, and record label rosters were dismal, but even worse, had not improved when revisited in 2015. They found women to comprise only 10.8%, 9.4%, and 18%, respectively. This is despite heavy organizing, the issue being covered more often by the media, and the current trend of open dialogue around the subject. (

While many women have come forward to heighten the collective consciousness around this issue and inspire debate, one voice largely isn’t being heard, and that’s men’s. With the greater society we live in being structurally patriarchal, gender parity will not be seen if men continue to stay silent. The sentiment from the other side of the gender spectrum is that more intermingling is the desired end goal. This is obvious in that many women in the industry are weary of being featured on all female lineups, but their counterparts ironically don’t think twice when it’s all male. There are plenty of cases of blatant sexism and misogyny to point a finger at, but perhaps more damaging is the false allies who are complicit in the unequal representation of women DJs, their harsher judgment, and the unfair demands leveled at their sex.

Besides giving men a chance to stand up and be counted alongside their female colleagues, the campaign will tackle why gender parity is also in their favor as well, through the combined efforts of editorial and the surrounding discussions. We’ll also be looking at some of the many reasons behind the current situation and developing solutions, like our campaign. The plans to execute include collecting signatures through a change.orgpetition, creating online event pages, spreading content through social media channels, sourcing editorial and press coverage, and curating media playlists on sites like SoundCloud and Mixcloud — all leading up to charts pouring in on March 8th.

Sign the petition today:

Facebook event:

Pandora’s Box: female sound and power in music technology

by Helen Reddington

Historically, women have not been associated with technology unless it helped with the housework – vacuum cleaners, refrigerators and washing machines – or their fertility (ten years ago I did a search for women+technology and was rewarded with a pageful of sites offering reproductive technology solutions). In times of war, we were useful as code-breakers and navigators; suddenly our supposedly non-mathematical brains develop useful ‘male’ attributes that disappear as soon as peace resumes. Women were at the forefront of computing in the 1940s (see I Code Like a Girl). In the competitive world of the music industry, the marketing of women’s sexuality has always been to the forefront, conveniently stereotyping women as singers, and men as instrumentalists or controllers of sound production. This stereotype appears to be impossible to shake off. Continue reading